for erhu (Chinese fiddle) and orchestra - 2013
To LU Yiwen
If iI had to describemy music, i would define it much more by its coordinates than by an estheticposition ; in a three-dimensional space, somewhere at the crossroads of afragmented map, placed between the past and the future, and located on the axisthat connects our most tangible materiality to this human need of spirituality. Crossing Edges defines those edges that intersect and overlapin the representations of geometric figures in two dimensions. Therefore, in mymusic, this concept is echoing an imaginary journey in the form of anoscillation between a dreamed China and a Western imagination. Starting withthis intense desire to share an incredible happiness on having heard the erhu(a Chinese fiddle, pronounced more or less like : "Eu-fu") of LUYiwen at a symphonic concert proposed as a musical break during themasterclasses - in composition and analysis of modern music - I gave in 2013 atthe Shanghai Conservatory. These magic sounds seemed to reach another importantmomentum that arisen, few months before, from discussions with a long-timefriend and painter LIU Shu-Tsin, about the perspiration of the Chinese thoughtin her graphical representation. Finally, it was one of her recent paintings - The happy medium- which gave me the idea of the formal process of Crossing Edges. Colorful pictorial work, this triptych is situatedbetween abstraction and figuration. It contributes to this oriental spiritwhich plays on oppositions without antagonism but with complementarities - thefamous Yin and Yang. So, this painting derives the figure fromcalligraphy. From the thickness of the strokes of an ideogram emerge villages,mountainous landscapes springing from the mist. All this little world callingfor the elevation of the soul.
Thehappy medium moreover makes reference to an ideogram that sums up the space definedin the previous lines[seethe sign]. An « inside » that turns onitself and that can only exist because there is an energetic« outside », both connecting the heaven to the earth through avertical line in the middle of the sign. Musically speaking, this will resultin two expressive states which will alternatethroughout the work : one, melodic, horizontal and cyclic, soft andlanguid, using resonances of some Chinese traditional music ; the other,vivacious an energetic, highlighting the qualities of the erhu through someharmonic progressions (vertical) derived from analysis of the timbre of theinstrument itself – a habit in my composition process which derives often itsharmonies from the « spectral analysis » made with computer.
Besides,the Chinese musical thought upset me in many respects and helped me to situatemyself in a better way. In fact, in West, we talk a lot about Cross-overabout the meeting of different cultures. For many years, despite my interest inworld music and its involvement in my work, I had some difficulties withthese categorical definitions because i did not perceive my music under theangle of the mixture, but rather under the concept of Altra Cosa, these other« altered » cause. Chinese artists finally offered me their solution,those who refuse this notion of mixture, replacing it with the idea of« resonance », in the figurative sense, but also in its acousticsense : when two different sounds resonate together in a reverberateplace, ignoring the dominant-subordonate relationship. Then remains the perfectfusion…Thus, i would like to share with you these « resonances » of the Chinese music in fusion with my western sounds... In the hope of a new life of freedom.
The work was commissioned by the Royal Philharmonic Orchestra of Liege which premiered it with lots of success at the "Oriental Festival" in Belgium, on February 23rd. 2014 - birthday's date of the composer ! - by Lu Yiwen and the Orchestra conducted by Christian Arming.
Furthermore, that work was choosen for the opening concert of the World Music Days Festival 2015 (Ljublijana). Zhang Yong Yin was largely acclaimed, aside the Slovenian Radio and Television Orchestra conducted by Simon Krecic.
A "derivation" of this concerto, Echoes of Crossing Edges, for erhu and 10 musicians, was composed at the intention of my friends of the Shanghai Sinfonietta, who premiered it in China in April 2014.
Informations about Echoes of Crossing Edges at :
Shu-Tsin LIU, "le Juste Milieu" (101x198)
Informations about Liu Shu-Tsin's works HERE